:)
Merry Christmas!!!
'Meant to Be' reminds me of many bands - Fighting with Wire, Funeral for a Friend, maybe a little bit of Biffy Clyro somewere in there as well - but this song doesn't sound like a copy of any thing these bands have done before. It lures you in and then grabs you by the neck and pulls you right into the centre of thrashing guitars and passionate vocals. To be fair, the lyrics don't stand out as anything shockingly new or different, with broken relationships beinga popular topic for the majority of songs, but the music itself is enough to make you forget the cliche of a broken heart and see the sheer talent This Years Confession obviously have. Second song on the single, 'My Habit', isn't the traditional second-song-on-the-single song - basically,you don't regret buying the single because of this song. It catches your attention just as much as 'Meant to Be' and has epic lyrics to go along with the music. 'Meant to Be' is definitly worth the money, and This Years Confession are definitly a band you should keep an eye on over the next year.
Support: Crime in Stereo, Four Year Strong, Set Your Goals
previously publishedBefore I listened to Cutaways I thought they would be thoroughly predictable but before the end of the first listen of ‘START STOP! START STOP!’ they had proved me wrong. ‘START STOP...’ could very easily be described as indie, but it also proves itself as great pop music with a little bit of electronica. First track, ‘Lovers are Lunatics’ catches your ear the second it starts with a catchy beat and melodic vocals, before moving into a more regular song style. Second track, ‘Weapon of Choice’ has a fast-paced intro before calming down during the verse and then picking up again – it’s pure foot tapping goodness. The chorus has a great melody and really catches the ear. Penultimate song, ‘I spilled your drink so you broke my heart’ may (oddly) seem to have a Fall Out Boy-esque title (in length, anyway) but it’s what makes this EP what it is – pure indie-pop brilliance. The vocals are intriguing, and then the catchy beats that keep popping up all throughout the song make you want to dance while the lyrics fit in well with the beat, the mix of “tick tock” and “start stop” being very interesting. Final track, ‘I Don’t Understand What You Don’t Say’ has exactly the same intriguing pop sound as the rest of the EP and is a perfect ending, with its good use of catchy riffs and strange electronic sounds. The only problem I seemed to find with ‘START STOP! START STOP!’ was that all the songs seemed to go in too quickly – but maybe that just shows how good it really is.
A Little Solidarity will most certainly be remembered by most music lovers in Northern Ireland for a very long time. This mega-event organized by the ASIWYFA bunch truly was a celebration of unity and solidarity in the music scene of this country; a showcase of the best bands these shores have to offer and the success locally and nationwide most of these bands have managed to achieve in the past year, and let me tell you, whoever wasn’t there missed quite something! The line-up was perhaps the most ambitious possible, but in the end it was the strong point of the whole experience offering to everyone a different mix of styles and bands. There were many occasions for people involved in music making to get talking with promoters and record labels, with the chance of a demo drop-in. The atmosphere was positive throughout with a great aura of friendship surrounding the event.
If there was one word to describe this album it would be ‘epic’. A Hundred Million Suns shows us how Snow Patrol are just getting better as they go with more immense songs that almost jump up and down in your stereo and that bring tears to your ears. Opening track, ‘If There’s A Rocket Tie Me To It’ grabs your attention with the slow start and then the build up that Lightbody and co. always do so well. Debut single ‘Take Back the City’ fits in well with the rest of the album and slower tracks such as ‘Lifeboats’ and ‘The Golden Floor’ remind us of the older Snow Patrol days of ‘When It’s Over We Still Have to Clear Up’ but also add something a lot more new and fresh to the mix. ‘Please Just Take These Photos From My Hands’ kills any opinions that these guys are just another generic indie/rock band, with a punchy chorus and the excitement felt while Lightbody sings his heart out and the guitar riffs clearly drive this song. If you’re looking for another ‘Chasing Cars’, you definitely won’t find it on this album; but in its place you will find ‘The Planets Bend Between Us’. This song is what really makes this album so ‘epic’ – heartfelt lyrics filled with imagery and a slow but moving melody show how important music really is to this band. Sixteen minute long final track ‘The Lightning Strike’ is certainly something new and interesting for Snow Patrol but they pull it off well and make it the perfect ending to a brilliant album. The Snow Patrol boys have clearly put a lot of work into this album and they’re going to have a tough job when the time finally comes to start working on the next one - but we know they can do it.
Some of you may remember the song ‘Goodbye (I’m sorry)’ by And Then I turned Seven. It was a song written to try and get inside the mind of a suicidal person and then letting people know they didn’t need to suffer alone. Do you remember it now? If so you might be surprised to know that lead singer, Dane Schmidt, now has a solo project, Jamestown Story. “That whole suicide thing on the bridge was put in because we didn't want people to hear the song and think it was ok to use suicide as a way to fix something, ‘cause it’s not. If that wasn't in there, some people would interpret it like that. Though I feel it was a weird thing to put in at that time, I'm glad we did ‘cause I've gotten a lot of responses from people who were on the verge and called that number and it made a difference. It's really amazing."